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Sabbie Dare and Friends
I have been writing fiction since my reception teacher, Mrs Marsden, put a paper and pencil in front of me. I can remember thinking; What? Do real people write these lovely books? I want to do that! I gained an MA in creating writing and sold my first books for children; Sweet’n’Sour, (HarperCollins) and Tough Luck, (Thornberry Publishing), both from Amazon. I also love writing short stories and they regularly appear in British anthologies.
I now write crime fiction, published by Midnight Ink. The idea for In the Moors , my first Shaman Mystery came to me one day, in the guise of Sabbbie Dare. She came to me fully formed and said; “I'm a young therapist, a shaman, and sometimes I do get very strange people walking into my therapy room. Honestly, I could write a book about some of them...”
I am a druid; a pagan path which takes me close to the earth and into the deep recesses of my mind. Shamanic techniques help me in my life - in fact they changed my life - although, unlike Sabbie, I’ve never set up a therapeutic practice...I’m too busy writing and teaching creative writing with the Open College of the Arts. I’m a fellow of the Higher Education Academy.
Although I was born, educated and raised my two children in the West Country, I now live in west Wales with my husband James.
IN THE MOORS, the first Shaman Mystery starring SABBIE DARE was released in the US in 2013 and UNRAVELLING VISIONS will be out this autumn, but you can already reserve your copy on Amazon.
Join me on my vibrant blogsite, http://www.kitchentablewriters.blogspot.com where I offer students and other writers some hard-gained advice on how to write fiction.
Gold-Starred Rules for Shy Networking Writers
Gold-Starred Rules for Shy Networking Writers
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| Nina Milton, speaking and reading at the Wells Literary Festival |
Blogpost fans who know me personally, would probably say I’m a bit of an extrovert, and can happily walk onto a stage and address a crowd, especially if it’s on the subject of books…especially if it on the subject of my books.
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As a kid I was painfully shy, which I blamed on my first name. In an age when unusual names were not common, I was teased mercilessly about mine. My mother had called me Nina – not after the famous Nordic singing duo or the ‘high priestess of soul’, but after her friend’s daughter, who for no reason I can fathom, pronounced the name to rhyme with nine, rather than teen. From my earliest memories, I hated my name. Kid’s called me ‘nine-o’clock instead of Nina Crane, or counted up across the street at me…’one-a, two-a three-a…
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| Me at the Carmarthen Book Fair |
I’m telling you all of this because it’s Christmas Fayre season again, and I’m off to events all over Wales to promote the Shaman Mystery Series. Last Saturday I was at Carmarthen library to promote my books and myself as a writer.
And on Saturday December 10th, I’m in the pretty town of Llandeilo, at the Llandeilo Book Fair.
Landeilo is tucked at the foot of the Black Mountains in South Wales, not far from Swansea, and is packed with lovely shops, as well as holding a book fair.
Book events are not only great for selling your books, it’s also a place to meet other authors. I put on my ‘Neena, not Nine-a’ face and pretend to be fearless and undaunted, despite still being that trembling flower inside. To help me, I use my gold-starred rules for shy networking writers, and I'm going to share them with you!
Here are my gold-starred rules of networking for the writer who is shy at heart. I find they help a lot.
1. Use the four-pronged approach. First brought to the fore by Dale Carnegie, just remember to…
- SMILE,
- ASK A QUESTION,
- LISTEN,
- LEARN THE NAMES.
2. Be interested. Being actually interested in the other person stops the stench of desperation coming across and keeps that smile in place…naturally. It will also allow the right questions to pop into your mind – questions like, “what brought you here today” and “what sort of writing do you do”, and remind you to listen to the answers while getting that person’s name into your head (asking for their card really helps!)
3. Have no agenda. This springs naturally from being interested in the people around you. Concentrate on finding out about them, look keen to know more. No one wants to be in the same space as the ‘hard-selling, self-obsessed person’ for long.
4. Sort your plan. This is essential for hiding shyness and projecting confidence. Before you leave the house, get your ‘one minute blurb’ for your latest writing project clear in your mind. Look at my blogpost on elevator pitches to help you with this one. Remind yourself of your particular talents and strengths. It's important to map out what you want to talk about, because (rightly) be concentrating on rules 1-3 may take such things out of your mind. With rule 5 in mind, tell yourself all the ways your writing is wonderful – get your list prepared.
5. Be your passionate self. Having sorted your plan, you won’t need to look pushy because you’ll have more confidence in yourself. You’re smiling, so you’ll already be feeling happier. So now you can drop any artificiality and allow your lovely self to show through and demonstrate what you feel passionate about – I promise you, that’s always a winner.
Do not say sorry. Okay – if you tip your wine over the books on your neighbour’s table, you might have to ask their forgiveness, but you should neverapologise for your writing or make excuses for your books, or admit that you’re not sure how good they might be. Your stories have value. When you sort your plan, put these values in the list. If you are selling your book, whether to a punter or a publisher, do not start with ‘sorry, but…’ That makes it sound like you’re asking for a favour, when in fact, you're offering to show them some marvellous work.
Have your cards ready. All writers should have some sort of business card. If you already have a book in print, there are fun alternatives, too. I like to use bookmarks, with the covers of my books, a short blurb and my contact details. Other writers use postcards. I have also seen greeting cards using the jackets of novels, but these are too costly to give away and should instead be there to raise revenue.
Try for generosity. You’ll be wanting people to be generous to you, to give your work a chance by stocking, reading it or publishing it! So you can afford to offer something in return, even if it’s only turning up an hour early to help put out all the tables.
Follow the leads. You’ve come home with a dozen cards from other writers, agents, booksellers and publishers. Follow them up, even if it’s only an email to say how nice it was to meet them. Keep those links going, as you never know where they might take your writing. And they'll remind you just how much you enjoyed the event, even though you're a shy n
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