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NinaMilton

Sabbie Dare and Friends

I have been writing fiction since my reception teacher, Mrs Marsden, put a paper and pencil in front of me. I can remember thinking; What? Do real people write these lovely books? I want to do that! I gained an MA in creating writing and sold my first books for children; Sweet’n’Sour, (HarperCollins) and Tough Luck, (Thornberry Publishing), both from Amazon. I also love writing short stories and they regularly appear in British anthologies. I now write crime fiction, published by Midnight Ink. The idea for In the Moors , my first Shaman Mystery came to me one day, in the guise of Sabbbie Dare. She came to me fully formed and said; “I'm a young therapist, a shaman, and sometimes I do get very strange people walking into my therapy room. Honestly, I could write a book about some of them...” I am a druid; a pagan path which takes me close to the earth and into the deep recesses of my mind. Shamanic techniques help me in my life - in fact they changed my life - although, unlike Sabbie, I’ve never set up a therapeutic practice...I’m too busy writing and teaching creative writing with the Open College of the Arts. I’m a fellow of the Higher Education Academy. Although I was born, educated and raised my two children in the West Country, I now live in west Wales with my husband James. IN THE MOORS, the first Shaman Mystery starring SABBIE DARE was released in the US in 2013 and UNRAVELLING VISIONS will be out this autumn, but you can already reserve your copy on Amazon. Join me on my vibrant blogsite, http://www.kitchentablewriters.blogspot.com where I offer students and other writers some hard-gained advice on how to write fiction.

The Visitor, by Katherine Stansfield

 

The Visitor, by Katherine Stansfield is written with an aching poignancy and vivid, intense descriptive powers. Set between the 1880s and the mid 1930s, it brilliantly contrasts its protagonist, Pearl, as a child, a young woman and an old woman on the verge of being sucked under  by dementia, which allows Stansfield to withhold essential facts until she’s ready to allow us to piece the clues together. The past is now clearer to Pearl than the present, demonstrated by Stansfield  through her clever structural weaving of past and present. 

 

Stansfield now lives in Wales, but spent her childhood in Cornwall, and a major character in the story is  the beautifully described Cornish fishing village of Morlanow, where in the last century, huge shoals of pilchards made some people rich, while others are lost at sea. Now, between the two world wars, the shoals have gone and the village is preparing to look to tourism and holidaymakers for an income.

 

Pearl has lived there in Morlanow all her life, and her love of swimming, which she still sneaks away to do in her nightie, comes across as her enduring pleasure. Slowly, thought memory and the troubled times of her present life, it emerges that Pearl ‘lost’ her first and only love, and has lived through an unhappy marriage with Jack, hoping that her Nicholas will return. Now, she is certain that he will. She see the signs everywhere.

 

This is a slender book, which does not take long to move through, but did leave me with a lot to think about. The blending of a demented woman’s dream-world and the blunt truth about life around the turn of the last century  is beautifully realized.

 

Nina Milton