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NinaMilton

Sabbie Dare and Friends

I have been writing fiction since my reception teacher, Mrs Marsden, put a paper and pencil in front of me. I can remember thinking; What? Do real people write these lovely books? I want to do that! I gained an MA in creating writing and sold my first books for children; Sweet’n’Sour, (HarperCollins) and Tough Luck, (Thornberry Publishing), both from Amazon. I also love writing short stories and they regularly appear in British anthologies. I now write crime fiction, published by Midnight Ink. The idea for In the Moors , my first Shaman Mystery came to me one day, in the guise of Sabbbie Dare. She came to me fully formed and said; “I'm a young therapist, a shaman, and sometimes I do get very strange people walking into my therapy room. Honestly, I could write a book about some of them...” I am a druid; a pagan path which takes me close to the earth and into the deep recesses of my mind. Shamanic techniques help me in my life - in fact they changed my life - although, unlike Sabbie, I’ve never set up a therapeutic practice...I’m too busy writing and teaching creative writing with the Open College of the Arts. I’m a fellow of the Higher Education Academy. Although I was born, educated and raised my two children in the West Country, I now live in west Wales with my husband James. IN THE MOORS, the first Shaman Mystery starring SABBIE DARE was released in the US in 2013 and UNRAVELLING VISIONS will be out this autumn, but you can already reserve your copy on Amazon. Join me on my vibrant blogsite, http://www.kitchentablewriters.blogspot.com where I offer students and other writers some hard-gained advice on how to write fiction.

Currently reading

Rivers of London: Body Work
Ben Aaronovitch, Lee Sullivan Hill, Andrew Cartmel

Life Class by Pat Barker

 

I loved Pat Barker's Regeneration trilogy, and this book, set at the beginning of the 1st WW feels like an addition to that canon.  The story looks at how people responded to the outbreak of war, and how it changes some lives, unsettled others and didn't seem to affect some people one little jot. 

 

I didn't feel it was quite as well structured as the others. Characters move in and out of focus, as Paul Tarrant, a working-class strudent at the Slade, and Elinor Brooke, an scholarship artist from an upper-middle class background live their lives in detailed moments which give the story a slight 'journal' feel. The war comes quite late into the novel and, unlike some of her other work on this period, never really felt to me like  a 'character' in itself, but rather something incidental that was happening to Paul when he volunteers to drive an ambulance at the front. What seemed to be missing from the novel; and what I found most frustrating, are the mentions of Paul and Elinor’s professor, Henry Tonks. This man pioneered developments in plastic surgery by drawing patients pre- and post-operation, after leaving the Slade to go back to medicine at the start of the war. But not a lot of this is covered in the book, and Tonks, like Paul’s first love Teresa, slide out of view. I would have liked more of this, and I would have like a more traditionally conclusive ending, especially as we leave the characters as the war moves into full throttle. Maybe if you haven’t read any of Barker’s 1st WW books yet, you might start with this one, leaving the others to entice you afterwards.